Studio Instruction – Advanced Music Theory
Understanding what music is truly all about, starts with learning how it is put together. The VCM’s School of Music Technology and Creativity offers a complete array of advanced music theory subjects through Individual or through Shared Studio Instruction. Advanced Subjects offered include: Composition, Songwriting, Arranging, Harmony, Counterpoint, Analysis, and Score Study.
Gain a deeper understanding about the inner workings of music, as well as develop skills in writing and arranging, Many of the subjects listed below follow a full year 32-week curriculum, culminating with the spring RCM theory examination session, which typically occurs during the second weekend (Friday and Saturday) in May.
For more information, including how to register for Advanced Music Theory subjects, please contact Dr. Jonathan Haek, Director, School of Music Technology and Creativity: email@example.com 250.386.5311
Program DetailsHarmony 9 or 10
(RCM Basic or Intermediate Harmony)
Crystal Wiksyk, Stephen Brown
Stephen Brown, VCM Composer in Residence
David Clenman, Jonathan Haek, Liova Bueno, Daniel Brandes, Christopher Reiche, Jan Randall
David Clenman, Jan Randall (also teaches at VCM Westhills location)
Counterpoint, Analysis, Score Study
All Individual or Shared Studio Instruction for these subjects is based on an $79.80 hourly fee, shared among participants.
Crystal is a theory and musicianship instructor at the Victoria Conservatory of Music, where she coordinates the Classical Music Theory programming through the School of Music Technology and Creativity, for the Ann & George Nation Conservatory of Classical Music. Crystal teaches group classes as well as individual lessons at the VCM, and has taught theory and musicianship classes for the VCM/Camosun College Diploma program. She is the co-author of three publications for the Royal Conservatory of Music, and also leads the Music Theory programming for the VCM’s Summer Academy. Crystal is a Royal Conservatory certified theory teacher and long-time member […]
Jonathan Haek is a composer and flutist originally from Portland, Oregon. Dr. Haek is the Director of the School of Music Technology and Creativity at the Victoria Conservatory of Music. He currently teaches Aural Skills courses for the VCM’s Department of Postsecondary Studies, and is the designer, developer, and instructor of the new postsecondary Certificate of Music Technologies program offered in partnership with Camosun College. Jon’s interests lie at the intersections of music, math, and technology. His projects have involved collaboration with modern dance choreographers, free improvisation, interactive and computer music composition, and Fibonacci numbers as compositional tools. Dedicated to […]
A faculty member at the Victoria Conservatory of Music since 2014, Liova Bueno teaches individual instruction in composition, theory, song-writing, music history and music appreciation, covering a wide variety of musical styles, genres, and time periods. He also teaches postsecondary students in connection with the VCM/Camosun College Diploma in Music Performance Program (Tonal Harmony and Counterpoint).
Originally from the Dominican Republic, Liova Bueno’s music has been performed in concerts and music festivals internationally, from countries in Central and South America to Europe, the United States and across Canada. He has received commissions from and has collaborated with various ensembles, organizations, […]
Daniel Brandes (b. 1985) is a composer who lives in Victoria, British Columbia with his wife and cat. In 2010, Daniel completed his Masters of Music at the University of Victoria where he studied composition with Christopher Butterfield and Daniel Bíro. In 2012 he founded A Place to Listen — Victoria BC’s only monthly experimental music series — which presents works from members of the Wandelweiser composers collective, and other fringe artists exploring the use(s) of silence in contemporary music. Daniel composes music that walks tight ropes — tight ropes between nothing and something, fragility and fierceness, beauty and ugliness. He likes art (…)
CHRISTOPHER REICHE is a performer, composer and instructor. Originally from Ontario, he moved to Victoria British Columbia to pursue a Masters of Music at the University of Victoria. As a composer, his works have been performed by The Vancouver Miniaturist Ensemble, Mark McGregor and Brian Nesselroads, and locally by the Aventa Ensemble. His work The length of this piece is not arbitary – Painting Portrait of Glass has been recorded by Quatuor Bozzini and released on their CD À chacun sa miniature. As a performer, he specializes in contemporary music and free improvisation. In Victoria he has performed with the (…)
Jan Randall is a pianist, who played entirely by ear from childhood, started working in blues and pop music bands while still in high school, and after receiving formal classical and jazz training as a composer and arranger went on to spend a decade in theatre before moving on to make a career of composing sound tracks for broadcast. Jan has been the head song writer since 2011 for the hit CBC radio series “The Irrelevant Show.” He wrote songs and doubled as musical director for comedy shows with Second City in the early 80′s, where he collaborated with such (…)
Private theory and composition studies under full scholarship with Srul Glick; advanced ear training with Robert Mundinger; electronic music studies at the University of Chicago; theory, composition, and conducting studies at the University of Victoria (President’s Scholarship). Compositions and arrangements performed and broadcast in Canada, the United States, and Central America; recorded by Denise Williams, Jacques Lorioz, and the Canadian Tenors. Teaches theory and ear training at the University of Victoria, where he was awarded the Gilian Sherwin Award for Teaching Excellence, Adjudicates many competitions, is a VCM examiner, and has been an examiner for the Royal Canadian College of (…)