Advanced Voice Workshop
An opportunity for advanced students and professional singers to explore all aspects of their performance, with coaching and instruction from senior voice faculty. Using a masterclass format, AVW focuses on technique, style, interpretation, bodywork and presence to create powerful performances and empowered performers.
Term 1: Sep 22 - Dec 8
Term 2: Jan 12 - Mar 30
Tue • 2:00 - 3:30pm • $414.00
Downtown
Acceptance is by audition/interview, please contact our front desk @250-386-5311.
Nancy Argenta
With a repertoire spanning three centuries, Nancy Argenta has been hailed not only as the supreme Handel soprano of our age but also for her performances of works by such diverse composers as Mahler, Mozart, Schubert and Schoenberg. Conductors with whom she has collaborated include Ozawa, Gardiner, Davis, Blomstedt, Pinnock, Hogwood and Norrington. She has sung with the Philharmonia Orchestra, the Boston Symphony, the City of Birmingham Symphony Orchestra, the Leipzig Gewandhaus, and the Toronto, Montreal, and Sydney Symphony Orchestras.
In opera, concert and recital, she has appeared at many leading festivals including Aix-en-Provence, Salzburg, Mostly Mozart, and the BBC (…)
Ingrid Attrot
Hailed as ‘a singer with uncommon theatrical sensibility and musical intelligence’, soprano Ingrid Attrot has appeared with the London Symphony Orchestra, the City of Birmingham Symphony Orchestra, the Montreal Symphony, and the Los Angeles Chamber Orchestra with conductors such as Dutoit, Marriner, Willcocks, Pinnok and Hickox. Her work with conductor Richard Hickox has included performances of the Britten War Requiem, Peter Grimes (Ellen Orford), and Beethoven’s Fidelio (Leonora). Opera companies with which she has worked include the English National Opera (as Miss Jessel in Turn of the Screw), Opera Northern Ireland (as Donna Anna in Don Giovanni), and Pacific Opera (…)
Robert Holliston
Robert Holliston studied at the Victoria Conservatory of Music under Robin Wood and Winifred Scott Wood, and at the University of British Columbia under Robert Rogers. As an accompanist and chamber player he has performed throughout Canada and the USA, England and New Zealand, and has been heard frequently on CBC-Radio. He has recorded CDs with the popular salon ensemble Viveza, trombonist Ian McDougall, tenor Ken Lavigne, his brother Tom Holliston, Show Business Giants, and members of the Hornby Island Ensemble. Robert has collaborated with many of Canada’s leading singers, including Richard Margison, Benjamin Butterfield, Judith Forst, Nathalie Paulin, Susan (…)
Masterclasses, Workshops, and Jams
Master Classes, Workshops and Jams are an invaluable way to learn from some of the very best musicians in the world and each other. The VCM has a wide variety of opportunities in each of our Program Areas and Departments.
For more information contact the respective Department Head or Artistic Director:
Robert Holliston (Dept. Head, Keyboard)
rholliston@shaw.ca
Ingrid Attrot (Dept. Head, Voice)
sops@shaw.ca
Simon MacDonald (Dept. Head, Strings and Collegium)
macdonald@vcm.bc.ca
Emily Nagelbach (Dept. Head, Winds and Brass)
emily.nagelbach@gmail.com
Daniel Lapp (Artistic Director, SCM)
daniel@daniellapp.com
Dr. Jonathan Haek (Director, SMTC)
haek@vcm.bc.ca
David Visentin (Director, Dept. of Postsecondary Studies)
visentin@vcm.bc.ca
Robert Holliston
Robert Holliston studied at the Victoria Conservatory of Music under Robin Wood and Winifred Scott Wood, and at the University of British Columbia under Robert Rogers. As an accompanist and chamber player he has performed throughout Canada and the USA, England and New Zealand, and has been heard frequently on CBC-Radio. He has recorded CDs with the popular salon ensemble Viveza, trombonist Ian McDougall, tenor Ken Lavigne, his brother Tom Holliston, Show Business Giants, and members of the Hornby Island Ensemble. Robert has collaborated with many of Canada’s leading singers, including Richard Margison, Benjamin Butterfield, Judith Forst, Nathalie Paulin, Susan (…)
Ingrid Attrot
Hailed as ‘a singer with uncommon theatrical sensibility and musical intelligence’, soprano Ingrid Attrot has appeared with the London Symphony Orchestra, the City of Birmingham Symphony Orchestra, the Montreal Symphony, and the Los Angeles Chamber Orchestra with conductors such as Dutoit, Marriner, Willcocks, Pinnok and Hickox. Her work with conductor Richard Hickox has included performances of the Britten War Requiem, Peter Grimes (Ellen Orford), and Beethoven’s Fidelio (Leonora). Opera companies with which she has worked include the English National Opera (as Miss Jessel in Turn of the Screw), Opera Northern Ireland (as Donna Anna in Don Giovanni), and Pacific Opera (…)
Emily Nagelbach
Emily Nagelbach, Faculty Department Head, Winds and Brass, Conservatory School of Classical Music. Emily plays second flute/piccolo with the Vancouver Island Symphony, is a member of Pedagogy Committee of the National Flute Association. As a freelance musician, she frequently performs with many orchestras, including the Vancouver Symphony Orchestra and Victoria Symphony Orchestra. She served as the Artistic Director of the Summer Music Discovery Camp at the VCM for many years. Emily holds an AVCM from the Royal Conservatory of Music (Toronto), a B.Mus. in Performance and Theory from Wilfrid Laurier University and a M.Mus. in Performance from the University of (…)
Daniel Lapp
Daniel Lapp is a world-renowned singer, multi-instrumentalist, composer, teacher, archivist, band leader, sideman, producer, promoter and – no kidding – the list goes on. And like the true-blue Canadian he is, Daniel does it all with trademark energy and warmth. As a fiddler, jazz trumpeter and singer/songwriter, Daniel Lapp has played on over 100 albums and performed across Canada, United States, Ireland, England, Scotland, Wales, Finland and Germany with some of the world’s most renowned Folk and Jazz musicians. Daniel is the winner of the B.C. Fiddle Championship and has appeared as a soloist with the CBC Chamber Orchestra as well as (…)
Jonathan Haek
Jonathan Haek is a composer and flutist originally from Portland, Oregon. Dr. Haek is the Director of the School of Music Technology and Creativity at the Victoria Conservatory of Music. He currently teaches Aural Skills courses for the VCM’s Department of Postsecondary Studies, and is the designer, developer, and instructor of the new postsecondary Certificate of Music Technologies program offered in partnership with Camosun College. Jon’s interests lie at the intersections of music, math, and technology. His projects have involved collaboration with modern dance choreographers, free improvisation, interactive and computer music composition, and Fibonacci numbers as compositional tools. Dedicated to […]
David Visentin
David Visentin is widely known throughout Canada as a performer, conductor, pedagogue and arts administrator whose leadership and creative experience in the performing arts has successfully advanced classical music from coast to coast. In 2011, founded Sistema Toronto and was appointed as the organization’s President and CEO. Sistema Toronto is a free and uniquely immersive after-school social program through music for at-risk children and youth, modeled after the highly successful program known as el Sistema. For six years, as dean and associate dean of The Glenn Gould School and Young Artists Performance Academy of The Royal Conservatory of Music, David […]
Simon MacDonald
Simon MacDonald began playing the violin at age seven, here in Victoria, British Columbia. Following studies with Frona Colquhoun and Sydney Humphreys, Simon earned his AVCM Teacher and Performance Diploma from the VCM, Bachelor’s degree from New England Conservatory in Boston, and Master’s degree from the Schulich School of Music, at the University of McGill, in Montreal. Simon’s musical education also included performing at music festivals in Europe and North America, including Schleswig Holstein Music Festival (Germany), The Festival of Two Worlds (Italy), the Spoleto Festival (Charleston, South Carolina), Tanglewood Music Festival and Jacob’s Pillow Dance Festival (Massachusetts), and at ArtSpring Festival on Salt Spring Island. […]
Opera Studio
This sought-after program provides comprehensive training in the many facets of opera for singers. Employing a mix of rehearsals, workshops, and classes leading to performances of opera excerpts and/or one act operas at the end of each term, aspects of training will include acting, movement, musical preparation and coaching, recitative study, audition techniques, and role preparation. The faculty is comprised of well-known guest directors, conductors and masterclass clinicians.
Schedule TBA • $1,200
Rehearsal schedule and exact tuition to be confirmed. Check website or contact the VCM at 250.386.5611. Acceptance by audition.
Ingrid Attrot
Hailed as ‘a singer with uncommon theatrical sensibility and musical intelligence’, soprano Ingrid Attrot has appeared with the London Symphony Orchestra, the City of Birmingham Symphony Orchestra, the Montreal Symphony, and the Los Angeles Chamber Orchestra with conductors such as Dutoit, Marriner, Willcocks, Pinnok and Hickox. Her work with conductor Richard Hickox has included performances of the Britten War Requiem, Peter Grimes (Ellen Orford), and Beethoven’s Fidelio (Leonora). Opera companies with which she has worked include the English National Opera (as Miss Jessel in Turn of the Screw), Opera Northern Ireland (as Donna Anna in Don Giovanni), and Pacific Opera (…)
Nancy Argenta
With a repertoire spanning three centuries, Nancy Argenta has been hailed not only as the supreme Handel soprano of our age but also for her performances of works by such diverse composers as Mahler, Mozart, Schubert and Schoenberg. Conductors with whom she has collaborated include Ozawa, Gardiner, Davis, Blomstedt, Pinnock, Hogwood and Norrington. She has sung with the Philharmonia Orchestra, the Boston Symphony, the City of Birmingham Symphony Orchestra, the Leipzig Gewandhaus, and the Toronto, Montreal, and Sydney Symphony Orchestras.
In opera, concert and recital, she has appeared at many leading festivals including Aix-en-Provence, Salzburg, Mostly Mozart, and the BBC (…)
Robert Holliston
Robert Holliston studied at the Victoria Conservatory of Music under Robin Wood and Winifred Scott Wood, and at the University of British Columbia under Robert Rogers. As an accompanist and chamber player he has performed throughout Canada and the USA, England and New Zealand, and has been heard frequently on CBC-Radio. He has recorded CDs with the popular salon ensemble Viveza, trombonist Ian McDougall, tenor Ken Lavigne, his brother Tom Holliston, Show Business Giants, and members of the Hornby Island Ensemble. Robert has collaborated with many of Canada’s leading singers, including Richard Margison, Benjamin Butterfield, Judith Forst, Nathalie Paulin, Susan (…)
Sight Singing for Choristers
New class for Fall 2020! Sight Singing for Choristers Do you sing in a choir or are you a voice student who needs to work on music-reading skills? This is the course for you! Using the movable Do system, and through the study of keys and interval recognition, this course will train you to sing […]
Term 1: Sep 8 - Dec 15
Term 2: Feb 2 - May 18
Tue • 11:00am - 12:00pm
$258/term • Downtown
Nicholas Fairbank
Nicholas Fairbank was born in New Westminster, BC. In his school years he studied piano, organ and French horn, later going on to study organ performance and conducting in London (UK) and Paris (France). He holds Associateship diplomas in organ performance from the Royal Conservatory (RCM gold medal 1981) and the RCCO (Willan Prize 1998), and Masters degrees from UCSB (French) and the Université de Paris VIII (musicology). After some composition lessons with Stephen Chatman in the 90s he went on to complete an MMus degree in composition at the University of Victoria under the direction of John Celona. (…)
VCM Chorale
A mixed-voice (SATB) chamber choir. Major choral works from the classical canon are paired with lesser-known and contemporary selections to comprise a rich and varied repertoire each term. Strong musicianship, and good sight-reading and part-singing ability are required.
Term 2: Jan 11 - Apr 15
Mon & Thu • 2:00 - 3:30pm • Downtown
$418.00/term
Note: Please call 250-386-5311 to be connected with the Instructor, as permission to enroll is required.
Brian Wismath
Brian Wismath is a faculty member at Victoria Conservatory of Music, Music Director at Linden Singers of Victoria, and Artistic Director of Vox Humana Chamber Choir. With a rich musical background, Mr. Wismath is in demand as a clinician and has served as Music Director of Civic Orchestra of Victoria, University of Victoria Chamber Singers, Tucson Masterworks Chorale, Vancouver Peace Choir, and Victoria Choral Society, Associate Conductor of Orpheus Choir of Toronto and Chorus Niagara, and Assistant Conductor of St. Jacob’s Youth Choir (Stockholm, Sweden), Ontario Youth Choir, and Opera in Concert Chorus (Toronto).[…]
Vocal Diction and IPA
Lyric diction skills for classical singing are taught through active practice and learning the International Phonetic Alphabet (IPA). Diction skills are rehearsed through poetic reading and interpretation, as well being related to physiological mechanics of the singer. One or two related spoken languages are considered each term on a rotational cycle.
Term 2: Jan 14 - Apr 15
Thu • 10:00am - 12:00pm • $481.60/term
Online
Kiiri Michelsen
Canadian-Norwegian mezzo-soprano Kiiri Michelsen is active in performance, teaching (voice/lyric diction), coaching (lyric diction) and research (lyric diction). Voice teaching (Dept of Postsecondary Studies – VCM/Camosun Diploma in Music Performance; Ann & George Nation Conservatory School of Classical Music) The ultimate goal of Kiiri’s teaching approach is the discovery of each singer’s unique sound. In […]